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Pride and Prejudice and Zombies (Fernando Velazquez)


Fernando Velazquez, 2016, Varese Sarabande
23 tracks, 58:03

It sounds like a lot of fun this “Pride and Prejudice and Zombies”, but will Fernando Velazquez’s score be anywhere near as good as “Crimson Peak”, his other recent exploration of Gothic horror?

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2016 Round Up – January (1/12)

monthly_roundup2016 Round Up – January (1/12)

In spite of best intentions, it is genuinely unfortunate that some scores don’t receive a lengthy, dedicated review. But unreviewed does not mean unheard. So let’s focus, if only briefly, on those scores that got away this month. Such as: Bear McCreary’s “The Boy” and “The Forest”, Mychael Danna’s “Remember”, Lorne Balfe’s “13 Hours…”, Ben Lovett’s “Synchronicity”, Daniel Belardinelli’s “Lamb” and Charlie Mole’s “Dad’s Army”.

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Diablo (Timothy Williams)


Timothy Williams, 2016, Milan Records
21 tracks, 57:39

Timothy Williams is on the move; on the way up. With each score this man impresses more and more. Will “Diablo” continue that trend?

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Kung Fu Panda 3 (Hans Zimmer)

Cover_KungFuPanda3KUNG FU PANDA 3

Hans Zimmer, 2016, Sony Classical
23 tracks, 69:17

The martial panda is back, but without John Powell this time. Can Hans Zimmer really pull this one off on his own?

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Star Wars: The Force Awakens (John Williams)


John Williams, 2015, Walt Disney Records
23 tracks, 77:16

Oh da biiig one, “Star Wars” issa back and so issa John Williams. Ganna it has been worth da wait?

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